University of California, Santa Barbara
Davidson Library
Department of Special Collections
California Ethnic and Multicultural Archives
GUIDE TO
THE JUANA ALICIA COLLECTED WORKS
DIGITIZED
ART COLLECTION,
1983-2006
Collection
Number: CEMA 106. Acquisition Information: Donated by Juana Alicia, May 4, 2006. Access restrictions: None. The artist makes her digitized art work available as an educational resource with no restrictions on public accessibility. Artist must be duly credited. Reproductions of images should be used with a statement that the artist retains copyright. Use Restriction: Copyright has not been assigned to the Department of Special Collections, UCSB. All requests for permission to publish or quote from manuscripts must be submitted in writing to the Head of Special Collections. Permission for publication is given on behalf of the Department of Special Collections as the owner of the physical items and is not intended to include or imply permission of the copyright holder, which also must be obtained. Processing Information: Salvador Güereña, August 23, 2007. Location: Stored on network drive. Inquire with CEMA. |
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Biography
Jauna Alicia is an internationally renowned muralist,
printmaker, educator, activist and painter. She has
taught for thirty years, working in many areas of education,
from community organizing to migrant and bilingual education
to arts education; and from kindergarten to graduate school levels.
She has expressed it is her responsibility as an artist to be an activist
for social justice, human rights and environmental health. She began
working as an artist as a teenager, coming of age in the human rights
movements that included the United Farm Workers and the protests of
the war in Vietnam. She works in many forms and traditions. Most of
her public art works are found in the San Francisco Bay Area, but she
has also painted murals in other parts of the world. Some of her works
are individual projects and others are collaborative.
Juana Alicia is based in Berkeley, California. She teaches intermittently at
several universities in the San Francisco Bay Area, including San Francisco State
University, U.C. Davis and Stanford University. Most recently she was a
Fulbright Scholar in Mérida, Yucatán, Mexico, where she taught
at the Escuela Superior de Artes de Yucatán.
SCOPE NOTE AND SERIES DESCRIPTION
The Juana Alicia Collected Works Digitized Art Collection (CEMA 106) presently consists of one series, Series I Artwork, made up of digitized images of 137 works of art spanning the years from 1983 through 2006. The following is a chronologically arranged catalog of those works.
CONTAINER LIST
SERIES I: Artwork
Annotated List of Collected Works
LAS LECHUGUERAS (The Women Lettuce Workers), 30" x 50", Politec acrylic paint, ©1983. Photo: Tim Drescher.
LAS LECHUGUERAS (The Women Lettuce Workers), detail. 30" x 50", Politec acrylic paint, ©1983. Photo: Martha Edwards.
LAS LECHUGUERAS (The Women Lettuce Workers), detail of profile. 30" x 50", Politec acrylic paint, ©1983. Photo: Martha Edwards.
LAS LECHUGUERAS (The Women Lettuce Workers), detail of tractorista. 30" x 50", Politec acrylic paint, ©1983.
CELOS / JEALOUSY, oil pastel on rag paper, 42" x 46", ©1984.
EL PASEO DEL SIGLO / THE RIDE OF THE CENTURY,
detail 3' x 5' of prismacolor pencil on paper, 5' x 6', ©1984.
EL PASEO DEL SIGLO / THE RIDE OF THE CENTURY, silkscreen
print on paper, 3' x 5', ©1984.
EL PASEO DEL SIGLO / THE RIDE OF THE CENTURY, detail 18” x 24” of silkscreen print on paper, 3' x 5', ©1984.
LA PONKALAVERA GÜERA (The Blonde Punk Skeleton), 26" x 40", pastel and collage on rag paper, ©1984.
LA PONKALAVERA GÜERA (The Blonde Punk Skeleton), 26" x 40", silkscreen print on rag paper, ©1984.
PARA LAS ROSAS / FOR THE ROSES, mural on the facade of the San Francisco Mime Troupe Building, Politec acrylic paint, 18' x 51', ©1985.
PARA LAS ROSAS / FOR THE ROSES, detail of Lenny Bruce, ©1985.
PARA LAS ROSAS / FOR THE ROSES, detail of Fantasy Record musicians: Mongo Santamaria, Cal Tjader & Paul Desmond, ©1985.
PARA LAS ROSAS / FOR THE ROSES, detail of Frida Kahlo, ©1985.
DREAM, oil pastel drawing on paper, 38" x 48", ©1985.
THE DIAMONDS ON LIZ'S BOSOM, prismacolor pencil on paper, 40" x 40", ©1985.
LA MUJER DEL RIO SUMPUL / THE WOMAN OF THE SUMPUL RIVER, 46" x 56", pastel on paper, ©1986.
AUTO-VISION / SELF-PORTRAIT, pastel on rag paper, 22" x 26", ©1987.
EARTHBOOK, Skyline College Library, San Bruno, California. Politec and Nova Color acrylic paint, 10 1/2' x 16', with students Barry Mc Gee and Sia Yang, ©1987.
EARTHBOOK, detail of hands, ©1987.
HARLEQUIN, pastel on rag paper, 34" x 56", ©1987. Collection of Roma Guy.
NEW WORLD TREE, Mission Pool Mural, 70' x30' approximately, Politec and Nova Color acrylic paint, designed and executed with Susan Cervantes and Raul Martinez, ©1987. Nineteenth Street (between Valencia and Guerrero), San Francisco Mission District. Photo: Bob Hsiang.
NEW WORLD TREE, detail, ©1987.
CAPULLO / COCOON, acrylic on canvas, 48" x 60", ©1988.
CEASEFIRE/ALTO AL FUEGO, 10' x 15', acrylic on stucco. 21st and Mission Streets, San Francisco, ©1988.
CULTURA SIN FRONTERAS/CULTURE WITHOUT BORDERS, Novato Hispanic Cultural Center mural, 30' x15', approximately. Acrylic on stucco, designed and executed with student artists Concha Marina Aparicio, Rosario Alcazar and Julia Coyne, Novato, California, ©1988. Photo: Marvin Collins.
PUENTE DE LA PAZ/BRIDGE OF PEACE, mural in the Commons Building of World College West, 375 square feet, acrylic on sheet rock surface. Designed and executed with student artistsJulia Coyne and Kiana Thompson, Petulama , California, ©1988. Photo: Marvin Collins.
PUENTE DE LA PAZ, detail of Sadako Sasaki, ©1988. Photo: Marvin Collins.
SURVIVOR, pastel on rag paper, 48"x48", ©1988. Photo: Marvin Collins.
EL UMBRAL /THE DOORWAY, pastel on paper, 40" x 50", ©1989. Photo: Marvin Collins.
YO NATURALEZA, oil on canvas, 60" x 60", © 1989. Photo: Marvin Collins.
CITIZEN, pencil on grey paper, 9" x 12", ©1990. Photo: Marvin Collins.
DANZANTE, watercolor and pastel on watercolor paper, 40" x 60", ©1990. Photo: Marvin Collins. Collection of Rene Di Rosa.
MARIPOSAS, pastel and oil pencil on gessoed paper, 20" x 45", ©1990. Photo: Marvin Collins.
MISSION STREET MANIFESTO, acrylic mural on panels, 12' x 25', ©1990. Photo: Marvin Collins. Installed at San Francisco State University Student Union, after being commissioned by 20th Century Fox for the movie CLASS ACTION. Photo: Marvin Collins.
MUJER CON GARBO/ WOMAN WITH ATTITUDE: EAST (Poet Genny Lim), pastel and charcoal on rag paper, 38" x 50", ©1991. Collection of Fil Vela. Photo: Marvin Collins.
MUJER CON GARBO/ WOMAN WITH ATTITUDE: WEST (Social Worker Omolade Massasi), pastel and charcoal on rag paper, 38" x 50", ©1991. Collection of Fil Vela. Photo: Marvin Collins.
MUJER CON GARBO/ WOMAN WITH ATTITUDE: NORTH (Printmaker Victoria Cameron), pastel and charcoal on rag paper, 38" x 50", ©1991. Collection of Fil Vela. Photo: Marvin Collins.
MUJER CON GARBO/ WOMAN WITH ATTITUDE: SOUTH (Photographer Laura Herrera), pastel and charcoal on rag paper, 38" x 50", ©1991. Collection of Fil Vela. Photo: Marvin Collins.
REGENERACION/REGENERATION, 12' x 24' acrylic mural on panels, commissioned by MACLA (Movimiento de Arte y Cultura Latinoamericano), at 1st and San Carlos Streets, downtown San Jose, ©1991. Moved: Recently purchased for new Hispanic National University, currently under construction in San Jose.
LA PROMESA DE LOMA PRIETA: QUE NO SE REPITA LA HISTORIA (THE PROMISE OF LOMA PRIETA: THAT HISTORY NOT REPEAT ITSELF), 21' x 21 interior acrylic mural, Oakes College, University of California, Santa Cruz, ©1992. Photo: Marvin Collins.
LA PROMESA DE LOMA PRIETA: QUE NO SE REPITA LA HISTORIA (THE PROMISE OF LOMA PRIETA: THAT HISTORY NOT REPEAT ITSELF), detail of artist Frida Kahlo and writers Genny Lim and Maxine Hong Kingston. 21' x 21 interior acrylic mural, Oakes College, University of California, Santa Cruz, © 1992. Photo: Marvin Collins.
LA PROMESA DE LOMA PRIETA: QUE NO SE REPITA LA HISTORIA (THE PROMISE OF LOMA PRIETA: THAT HISTORY NOT REPEAT ITSELF), detail of border. © 1992. Photo: Marvin Collins
LA PROMESA DE LOMA PRIETA: QUE NO SE REPITA LA HISTORIA (THE PROMISE OF LOMA PRIETA: THAT HISTORY NOT REPEAT ITSELF), detail of student assistant Angel Alambra. © 1992. Photo: Marvin Collins
LA PROMESA DE LOMA PRIETA: QUE NO SE REPITA LA HISTORIA (THE PROMISE OF LOMA PRIETA: THAT HISTORY NOT REPEAT ITSELF), detail of Taino. © 1992. Photo: Marvin Collins
LA PROMESA DE LOMA PRIETA: QUE NO SE REPITA LA HISTORIA (THE PROMISE OF LOMA PRIETA: THAT HISTORY NOT REPEAT ITSELF), detail of Green Giant striker with Virgen de Guadalupe. © 1992. Photo: Marvin Collins
EL DIA DE LAS MADRES (MOTHER’S DAY) Watercolor illustration for children’s book by Ana Matieta, published by Boston Children’s Museum. © 1995. Photo: Marvin Collins.
EL DIA DE LAS MADRES (MOTHER’S DAY) Watercolor illustration for children’s book by Ana Matieta, published by Boston Children’s Museum. © 1995. Photo: Marvin Collins.
MAESTRAPEACE, mural on The San Francisco Women's Building, 18th and Valencia Streets, Collaborative work with Edythe Boone, Miranda Bergman, Susan Cervantes, Meera Desai, Yvonne Littleton and Irene Perez, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, 18th Street façade, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, Lapidge Street façade, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, Lapidge Street façade, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, detail of Rigoberta Menchú, Yemaya and Coyoxaulqui, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, detail of Rigoberta Menchú, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, detail of Yemaya, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, detail of Yemaya, face, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, detail of child with ancient goddess figure, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
MAESTRAPEACE, detail of child with textiles, © 1994. Photo: Marvin Collins, Ruben Guzman, et al.
EL DIA DE LAS MADRES (MOTHER’S DAY) Silkscreen print on rag paper, produced with Jos Sances at Alliance Graphics, Berkeley. © 1995. Photo: Marvin Collins.
¡CROSS-POLLINATE!, detail of brindis, acrylic interior mural on sheetrock at Whole Foods Market in San Francisco, 6’ x 60’. Detail size: 6’ x 10’. Franklin and California Streets, San Francisco, CA, © 1998. Photo: Marvin Collins.
¡CROSS-POLLINATE!, detail of child and elder, © 1998. Photo: Marvin Collins.
¡CROSS-POLLINATE!, detail of gumbo, © 1998. Photo: Marvin Collins.
¡CROSS-POLLINATE!, detail of rice farming, © 1998. Photo: Marvin Collins.
¡CROSS-POLLINATE!, detail of soup, © 1998. Photo: Marvin Collins.
SANTUARIO/SANCTUARY, mixed media preparatory drawing for San Francisco International Airport, with Emmanuel Catarino Montoya (sculpture), 19’ x 23’. International Terminal G, Gate Room 98, © 1999. Photo: rik clingerman.
SANTUARIO/SANCTUARY, detail of father and daughter, mixed media preparatory drawing, with Emmanuel Catarino Montoya (sculpture), © 1999. Photo: rik clingerman.
SANTUARIO/SANCTUARY, detail of mother and son, mixed media preparatory drawing, with Emmanuel Catarino Montoya (sculpture), © 1999. Photo: rik clingerman.
SANTUARIO/SANCTUARY, Silkscreen print of design
for fresco painting for San Francisco International Airport, Juana
Alicia (fresco) with Emmanuel Catarino Montoya (sculpture), 25” x 34”. Mural located
in the International Terminal G, Gate Room 98, © 1999, World Rights
Reserved.
Photo: rik clingerman.
SANTUARIO/SANCTUARY, completed fresco (with sculpture
by Emmanuel Catarino Montoya), 19’ x 23’, International Terminal G, Gate Room
98, © 1999, World Rights Reserved.
Photo: rik clingerman.
SANTUARIO/SANCTUARY, completed fresco painting
for San Francisco International Airport, with Emmanuel Catarino
Montoya (sculpture), detail of embracing couple. Detail size 8’ x 12’, © 1999,
World Rights Reserved.
Photo: rik clingerman.
SANTUARIO/SANCTUARY, completed fresco painting
for San Francisco International Airport, with Emmanuel Catarino
Montoya (sculpture), detail of mother and son, © 1999.
Photo: rik clingerman.
SANTUARIO/SANCTUARY, completed fresco painting
for San Francisco International Airport, with Emmanuel Catarino
Montoya (sculpture), close-up detail of woman’s face, © 1999.
Photo: rik clingerman.
A WOMAN’S PLACE: A WARRIOR IN THE STRUGGLE FOR INTERNATIONAL SOLIDARITY/EL LUGAR DE LA MUJER: UNA GUERRILLA EN LA LUCHA PARA LA SOLIDARIDAD INTERNACIONAL, acrylic mural on panels (installed) at the United Electrical and Machine Workers of America, Local 506, Erie, Pennsylvania, 10’ x 54’, © 2000. Photo: Ed Bernik.
A WOMAN’S PLACE: A WARRIOR IN THE STRUGGLE FOR INTERNATIONAL SOLIDARITY/EL LUGAR DE LA MUJER: UNA GUERRILLA EN LA LUCHA PARA LA SOLIDARIDAD INTERNACIONAL, detail of central figures, © 2000. Photo: Ed Bernik.
A WOMAN’S PLACE: A WARRIOR IN THE STRUGGLE FOR INTERNATIONAL SOLIDARITY/EL LUGAR DE LA MUJER: UNA GUERRILLA EN LA LUCHA PARA LA SOLIDARIDAD INTERNACIONAL, detail of Alicia Rosas, © 2000. Photo: Ed Bernik.
A WOMAN’S PLACE: A WARRIOR IN THE STRUGGLE FOR INTERNATIONAL SOLIDARITY/EL LUGAR DE LA MUJER: UNA GUERRILLA EN LA LUCHA PARA LA SOLIDARIDAD INTERNACIONAL, detail of Underground Railroad tunnel, © 2000. Photo: Ed Bernik.
A WOMAN’S PLACE: A WARRIOR IN THE STRUGGLE FOR INTERNATIONAL SOLIDARITY/EL LUGAR DE LA MUJER: UNA GUERRILLA EN LA LUCHA PARA LA SOLIDARIDAD INTERNACIONAL, detail of international labor struggles, © 2000. Photo: Ed Bernik.
ALL LIFE IS INTER-RELATED, acrylic mural on canvas, 10’ x 20’, portable mural for Destiny Arts Center, Oakland, CA, assisted by Molly Segal, ©2001. Photo: Catrina Marchetti.
LA VIRGEN DE LA LIBERTAD, 6’ x 8’ hand-made mosaic tile mural on plywood panel, installed in garden, San Francisco, CA, © 2001, World Rights Reserved.
LA VIRGEN DE LA LIBERTAD, 6’ x 8’ hand-made mosaic tile mural on plywood panel, installed in garden, San Francisco, CA, © 2001, World Rights Reserved.
CEASEFIRE/ALTO AL FUEGO, 10' x 15', acrylic on stucco, ©1988. 21st and Mission Streets, San Francisco. Restored, 2002.
LA LLORONA’S SACRED WATERS, preparatory sketch for mural. Mixed media: acrylic paint, pencil, ink on paper. 42” x 92”, © 2003.
LA LLORONA’S SACRED WATERS, preparatory sketch for mural, detail of Chalchi. Detail size, 10” x 20”, © 2003.
LA LLORONA’S SACRED WATERS, acrylic mural on stucco, 30’ x 70’. York and 24th Streets, San Francisco Mission District, ©2004.
LA LLORONA’S SACRED WATERS, acrylic mural on stucco, 30’ x 70’. York and 24th Streets, San Francisco Mission District, ©2004.
LA LLORONA’S SACRED WATERS, detail of Llorona and child, ©2004.
LA LLORONA’S SACRED WATERS, detail of Llorona River Valley women, ©2004.
LA LLORONA’S SACRED WATERS, detail of Llorona, ©2004.
LA LLORONA’S SACRED WATERS, detail of Llorona profile, ©2004.
LA LLORONA’S SACRED WATERS, detail of Chalchi, ©2004.
LA LLORONA’S SACRED WATERS, detail of mother of desaparecida, ©2004.
LA LLORONA’S SACRED WATERS, detail of desaparecida, ©2004.
LA LLORONA’S SACRED WATERS, detail of confrontation in Cochabamba, ©2004.
LA LLORONA’S SACRED WATERS, detail of mother of Narmada child, ©2004.
LA LLORONA’S SACRED WATERS, detail of nopal, ©2004.
LA LLORONA’S SACRED WATERS, detail of hands and feet, ©2004.
LA LLORONA’S SACRED WATERS, detail of feet on sea turtle, ©2004.
SANARTE: Diversity's Pathway/Sendero de la diversidad, four ceramic bas-relief murals, ceramic tile frieze, and cement sidewalk. An original work owned and commissioned by the University of California, San Francisco. Ambulatory Care Clinic, UCSF Medical Center, 400 Parnassus Avenue, San Francisco, CA, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, OLLIN Mural, 10’ x 15’ hand-made ceramic tile mural, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad,
Juana Alicia with OLLIN Mural, © 2005.
Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, ¡STRIKE! Mural, 9’ x 13’ hand-made ceramic tile mural, detail of banner, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, ¡STRIKE! Mural, detail of faces, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, ¡STRIKE! Mural, detail of faces, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, ¡STRIKE! Mural, detail of janitor and striker, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, ¡STRIKE! Mural, detail of strikers, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, ¡STRIKE! Mural, detail of strikers’ hands, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TRADITIONS Mural, 9’ x 13’ hand-made ceramic tile mural, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TRADITIONS Mural, detail of Pediatrician and child, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TRADITIONS Mural, detail of child, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TRADITIONS Mural, detail of manos sobre chakra, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, Juana Alicia with TRADITIONS Mural, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TRADITIONS and OLLIN Murals, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, HELIX Pathway, inlaid cement sidewalk, ©2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, OLLIN Mural, 10’ x 15’ hand-made ceramic tile mural, © 2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TOOLS FOR HEALING, 100’ hand-made ceramic frieze, detail of California poppy tile, ©2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TOOLS FOR HEALING, 100’ hand-made ceramic frieze, detail of Chinese acupuncture tile, ©2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TOOLS FOR HEALING, 100’ hand-made ceramic frieze, detail of echinacea tile, ©2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TOOLS FOR HEALING, 100’ hand-made ceramic frieze, detail of maiz tile, ©2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TOOLS FOR HEALING, 100’ hand-made ceramic frieze, detail of medicine bags tile, ©2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TOOLS FOR HEALING, 100’ hand-made ceramic frieze, detail of milagro tile, ©2005. Photo: Anobel Odisho ©2005.
SANARTE: Diversity's Pathway/Sendero de la diversidad, TOOLS FOR HEALING, 100’ hand-made ceramic frieze, detail of sage tile, ©2005. Photo: Anobel Odisho ©2005.
OH YEAH, OYÁ, acrylic on masonite, 46" x 48", ©2006.
OH YEAH, OYÁ, detail of left face, ©2006.
OH YEAH, OYÁ, detail of left side, ©2006.
OH YEAH, OYÁ, detail of right face, ©2006.
OH YEAH, OYÁ, close-up detail of right face, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural. Mixed media: conté crayon, prismacolor pencil and pastel on cotton rag paper. 23" x 52 1/2", ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, detail of Mumia Abu-Jamal, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, close-up detail of Mumia Abu-Jamal, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, detail of Geronimo section, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, detail of center section, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, detail of Cindy Sheehan section, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, detail of Iraqi woman section, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, detail of Iraqi woman, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, detail of hands, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, detail of Assata Shakur, ©2006.
JUSTICE FOR POLITICAL PRISONERS: MUMIA ABU-JAMAL SPEAKS FROM DEATH ROW, preparatory sketch for mural, close-up detail of Assata Shakur, ©2006.