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University of California, Santa Barbara Department of Special Collections Californian Ethnic and Multicultural Archives
GUIDE TO THE, ALURISTA PAPERS, 1954-2002.
BIOGRAPHY
Alurista is one of the leading literary figures during the Chicano Movement era. He is most well known for his support of the Chicano Movement through his literature and poetry. Alurista was an early Chicano activist, credited in helping to establish the Centro Cultural de la Raza in San Diego. During the Chicano Movement Alurista authored significant manifestos of the movement. He was one of the first poets to establish the concept of Aztlán in his writings, a concept that envisions a return to the praises of the Aztec civilization. He is also the co-founder of El Movimiento Estudiantil Chicano de Aztlán (MEChA) which when translated, means Chicano student movement of Aztlán, that helped organize the Chicano Studies Program at San Diego State College.
Alurista was born in Mexico City on August 8, 1947, given the name Alberto Baltazar Urista. It was in 1966 that he began to write ardent poetry for publication and adopted the pen name Alurista, which is the only name he uses now. When Alurista began to publish poetry in the late 1960s he soon became recognized for his dexterity in English, Spanish, Raya, and Nahuatl, and also for blending standard and slang languages in his writings.
After coming to the United States as a teenager, Alurista graduated from High school in 1965 and began studying business administration at Chapman College, in Orange, California, only to find that this field was uninteresting to him. He then transferred to San Diego State College and began studying religion. However, when he found the overwhelming dogma of the instructors too much for him, he switched to sociology, then to social welfare. It was at San Diego State that Alurista helped establish MECHA in 1967. During the Denver Youth Conference in 1969, Alurista helped draft El Plan Espiritual de Aztlán (The Spiritual Plan of Aztlán), which offered support to the resolutions being adopted by the conference members. After working as a psychiatric child-care worker and as a counselor, he worked with Volunteers in Service to America (VISTA) and the Brown Berets. He then graduated with a BA in psychology from San Diego State in 1970.
Alurista went on to earn his M.A. from San Diego State in 1978 and then his Ph.D. in literature from the University of California, San Diego in 1983. He focused his dissertation on the novel, The Revolt of the Cockroach People, by Oscar Zeta-Acosta. He has since then published five anthologies of his poetry. He has written many essays and literary criticisms on the Chicano Movement as well as on Chicano culture that have been widely published in anthologies, journals, and newspapers. He has lectured at many colleges, universities, and at other establishments worldwide. Alurista taught at California State Polytechnic College in San Luis Obispo as a professor of Spanish from 1986 to 1990. He now resides in Denver, Colorado, where he is a faculty member at Escuela Tlatelolco teaching Chicano thought, culture, and literature. He also continues to lecture and give readings at universities throughout the country.
SCOPE NOTE
The collection consists of eight series spanning 19 archival boxes. The collection contains important papers pertaining to Alurista’s academic work, (his dissertation, and his class curriculum). It also contains material detailing his interest and work with other Chicano scholars and organizations. The collection helps to illuminate Alurista’s interests in poetry and spiritualism. It contains videos Alurista owned, research sources into Chicano issues, as well as correspondence and biographical information including photographs, correspondence, essays and diplomas. For his earlier literary manuscripts researchers will want to consult the Benson Latin-American Collection at the University of Texas, Austin. Alurista’s literary manuscripts up to the year 1972 are located there. It is important to note here that there are a number of publications (mostly books) that were a part of Alurista’s private library which have been signed by the author with a personal message to Alurista (or to Alurista and Xelina, his wife). These publications have been catalogued separately and can be searched using the library’s online catalog, Pegasus.
SERIES DESRIPTION
Series I: Personal and Biographical, 1954-1996. This series spans two document boxes and is divided into ten subseries which are as follows: Certificates and Diplomas, which represents almost 30 years of achievements and awards including the poet’s doctorate degree from the University of California at San Diego (arranged chronologically); Essays, about Alurista and his body of work, including a bibliography of works and 2 criticisms (arranged alphabetically by title); Newspaper Articles, which is comprised mostly of articles about Alurista, as well as some interviews and one article written by the poet (arranged chronologically); PhD Spanish Literature, is primarily made up of Report on Graduate Student forms chronicling Alurista’s progress and also includes a small variety of correspondence most importantly of which is a letter certifying Alurista’s completion of the requirements for the degree (ordered chronologically); Photographs, which span from childhood to adulthood and include both personal and professional activities (i.e. performing at La Peña Cultural Center, Berkeley, California, a performance at Festival Floricanto, San Antonio and another at National Association for Chicano Studies Conference; Professional Activities, includes documents relating to conferences, festivals, proposals and symposia such as a selection of flyers, some of which advertise performances by the poet as well as research grant proposals (arranged alphabetically by title); Theses, includes one thesis written about Alurista; Vitae, which is comprised mostly of formal résumés and includes autobiographical statements (due to lack of dates an attempt has been made to preserve the original arrangement).
Series II: Correspondence, 1969-1993. This series is contained in three document boxes and includes both general correspondence and that which relates to specific themes, such as employment and the poet’s book Flor y Canto en Aztlán (arranged alphabetically by title and chronologically within titles).
Series III: Writings, 1969-2002. This series spans four document boxes and is divided into 7 subseries which are arranged as follows: Conference Presentations, includes a small variety of topics from Aztlán and identity to the future of Chicano studies; Dissertation, is divided in three sub subseries which are Approved, Component Parts, and Edited Manuscript Drafts (each sub subseries is arranged chronologically); Essays, contains essays by the poet on a variety of topics including one handwritten essay with no title (arranged chronologically); Poetry, includes collections of poetry as well as individual poems which have been gathered in folder by year (or not dated indicated by “n.d.”) and titled “various” (arranged alphabetically by title and chronologically within titles); Miscellany, contains a journal with study notes on literature from UC San Diego, notes on the history of Chicano literature, a screen treatment, a speech for a Chicano graduation and contains the poet’s translation of Hunab Ku an essay originally by Domingo Martínez Paredez.
Series IV: Research Files, 1848-1994 (bulk dates 1970-1990). This series spans five document boxes and is arranged alphabetically by title. Throughout his academic and personal careers, Alurista collected an astounding number of essays (both published and not), bibliographies, and a few poems. While some of the topics vary widely, there are topics, which are more prevalent such as theories on Chicano, Mexican-American and Native American literature.
Series V: Teaching, Tenure and Promotion Files, 1965-1992. This series is contained within one document box and represents the poet’s academic career in the strictest sense; preserved here are correspondence to and from academic institutions, course materials including descriptions and evaluations, and files relating to tenure and retention. It is arranged alphabetically.
Series VI: Toltecas en Aztlán, 1970. This series is contained in one folder and includes, among other documents, project proposals, essays and an original list of demands written by the Chicano Caucus concerning Chicano Park and El Centro Cultural de la Raza.
Series VII: Oversize, 1975-1976, N.d. This series contains materials, which have been removed from their original folder placement for the sake of preservation. In cases where material has been removed, an indication has been made in both the original folder and the oversized folder as to the contents origins. This series is arranged alphabetically by title.
Series VIII: Audio & Visual, 2002. This series contains footage of a Alurista reading his poem Scratching Six, Plucking One, Alurista at a symposium on Chicano Literature in 1990, the Alurista Vi-Lingual Poetry Recital, given I New Mexico in 2002, and Alurista giving a lecture on the history and definition of Chicano literature. Materials relating to the Alurista Vi-Lingual Poetry Recital event can be found in Series III: Writings in the sub series titled Poetry. This series is arranged chronologically; material that is not dated (n.d.) is placed at the end.
SEPARATIONS
The following materials have been removed and are available by searching Pegasus.
El Verdadero Americano, Valladares Aldeco, Virgilio, 1965 El Centro Cultural de la Raza Literary and Performing Arts: Social and Cultural Dimensions by Tomás Ybarra-Frausto, n.d. El Centro Cultural de la Raza Fifteen Years by Philip Brookman, n.d.
RELATED COLLECTIONS
MEChA Collection (CEMA 036); Centro Cultural de la Raza Archives (CEMA 012). CONTAINER LIST
SERIES I: PERSONAL AND BIOGRAPHICAL, 1954-1996.
Box Folder Content
Certificates and Diplomas 1 1 1954-1962 1 2 1963-1983, n.d.
Essays 1 3 Alurista
(Alberto Baltazar Urista) Judith Ginsberg, Dictionary of Literary 1 4 Alurista: Una Larga Marcha Hacia Aztlán, Jorge Ruffinelli, 1975-1978 1 5 Alurista, Un Poeta del Movimiento, Fernando de Alba, 1994 1 6 Alurista:
Three Attitudes Toward Love in his Poetry, Daniel Testa, Chicano 1 7 Alurista’s
Poetics: The Oral, The Bilingual, The Pre-Columbian, Tomás 1 8 Andouard-Labarthe, Elyette Alurista et les Hieroglyphes de Bilinguisme, 1987 Le Sarape d’Alurista, n.d. 1 9 Bibliography of works, n.d. 1 10 Bibliography of Works By and About Alurista, Ernestina N. Eger, n.d. 1 11 Bilingualism
Of Two Chicano Poets José Montoya and Alurista, Bernice 1 12 Biographic statements, 1992, n.d. 1 13 Chicano
Indigenismo: Alurista and Miguel Méndez M., Dr Gustavo 1 14 The
Concept of the Barrio in Three Chicano Poets: Abelardo Delgado, 1 15 La Llorona de Alurista, Nicolás Kanello, n.d. 1 16 Tato
Laviera y Alurista: Hacia Un Poética Bilingüe, Frances R. Aparcio, 1 17 Toward
a Stylistic Analysis of Bilingual Texts: From Ernest Hemmingway 1 18 A
Wag Dogging A Tale, a historical account of the Centro Cultural de la
News Articles (see also oversize) 1 19 1967-1973 1 20 1974-1975 1 21 1976-1979 1 22 1980-1983 1 23 1984-1996, n.d.
PhD Spanish Literature 1 24 1976-1983
Photographs 1 25 Adulthood, 1 picture, 1970 1 26 Adulthood, 10 pictures, 1974 1 27 Adulthood,
performing at La Peña Cultural Center, Berkeley, California, 2 1 28 Adulthood,
includes performance at Festival Floricanto, San Antonio, 7 1 29 Adulthood, 1 picture, 1977 1 30 Adulthood, 2 pictures, 1978 1 31 Adulthood, 1 picture, 1981 1 32 Adulthood,
at National Association for Chicano Studies Conference, 4 1 33 Adulthood,
with José Antonio Burciaga and student at Stanford University, 2 1 Adulthood,
includes take-over of Chicano Park and Chicano Moratorium, 2 2 Childhood, 5 pictures, n.d. 2 3 General (not Alurista), 2 pictures, n.d.
Professional Activities (Conferences, Festivals, Proposals, Symposia) 2 4 Academic address, La Otredad en Blanco de Octavio Paz, n.d. 2 5 Chicano
Poetry and Fiction Today, conference, festival and book exhibit, 2 6 Chicano Studies Center: A Proposal, n.d. 2 7 Chicano Studies Department, San Diego State College, proposal, 1969 Flyers and programs, 1974-1992 (see also oversize) 2 8 1974-1980 2 9 1981-1992, n.d. 2 10 Guggenheim Fellowship Proposal, 1983 2 11 Rockefeller
Foundation Research Fellowship Program, research proposal, 2 12 A Second Sun: U.S. Poets in Central America, co-editor, 1988 2 13 Stitching One World Poetry Festival, Amsterdam Holland, 1980
Theses 2 14-15 Alurista: Chicano Poet, Universal Voice, Vogel, Cathleen, 1980
Vitae 2 16-17 Curriculum Vitaes, n.d.
SERIES II: CORRESPONDENCE, 1969-1993.
Box Folder Content
3 1 Culture Clash, 1990 Employment, 1991-1993 3 2 1991 3 3 1992 3 4 1993 General Incoming 3 5 1969-1970 3 6-13 1971-1978 (see also oversize) 4 1-9 1979-1987 5 1-6 1988-1993 5 7 N.d. Outgoing 5 8 1975-1983 5 9 N.d. 5 10 Flor Y Canto en Aztlán, Outgoing, 1970-1989
SERIES III: WRITINGS, 1969-2002. Box Folder Content
Conference Presentations 6 1 Aura, n.d. 6 2 Aztlán, Woman and Chicano Consciousness, 1984 6 3 Chicano Studies :A Future, n.d. 6 4 Ideología
y Estético en la Significacíon Poética Chicana en la Década 6 5 La Muerte y el Gringo Viejo, 1987 6 6 Myth
and Reality: Observations on American Myths and the Myth of Aztlán 6 7 Myth,
Identity and Struggle in Three Chicano Novels – Aztlán…Anaya,
Dissertation
Approved 6 8 1983 (hardbound) 6 9 1983 (no binding)
Component Parts 6 10 Introduction to thesis (manuscript original), n.d. 6 11 Chapter I Introduction and Chapter 2 Capitalism and the Novel, n.d. 6 12 Chapter 2 draft, Capitalism and the Novel, n.d. 6 13 Chapter
3 draft, Monopoly Capitalism: Militarism and the Vietnam 6 14 Chapter
7 draft, Irony and Alienation in Los Angeles and Buenos 7 1 Draft, n.d. Chapter I Introduction Chapter II Capitalism and the Novel
Edited manuscript drafts 7 2-3 Beto-MS, n.d. 7 4 N.d. 7 5 N.d. 7 6-7 MacMillan
Publishing, shipping envelope dated 12/1982 from 7 8-9 1983
Essays 8 1 El Caso, La Novela y la Historia en la obra de Acosta, 1978 8 2 Chicano Cultural Revolution, 1973 8 3 From Tragedy to Caricature… and Beyond, Alurista, 1980 8 4 The
Mixquiahuala Letters, Portillo, Valdez y Castillo: Ise Acabó la 8 5 Myth,
Identity and Struggle in Three Chicano Novels: Aztlán…Anaya, 18 1 El Plan Espiritual de Aztlán, 1969 8 6 Title
unknown (I Meander and Lucubrate Therefore I Discourse/
Poetry 8 7 Alurista
Bi-Lingual Poetry Recital, Museum of International Folk Art, Mexico, September 14, 2002 (see also Series VII for video of event) 8 8 A’nque, collected works, 1976-1980, Spik in Glyph? 8 9 Con Justicia y Libertad/With Liberty and Justice, n.d. 8 10 Dawn, n.d. 8 11 En
El Núcleo se Pasea la Mosca/ En El Barrio/ En Le Selva,
Abandonadas 8 12-13 Et Tú Raza, 1993 8 14 In Your Eyes, 1989 and Meditation, n.d. 8 15 Mar de Sangres and We’be [sic] Played Cowboys from Plural, 1987 8 16 No Destruyas Tu Dia, n.d. 8 17 Ocelote, n.d. 8 18 Scratching
Six, Plucking One, poem includes production script 8 19 Servidores del árbol de la vida, 1973 (2 copies) 8 20 Tabla de Poetas, n.d. 8 21 Third World Poetry Anthology, Roth Publishing, 1987 8 22 various dated and undated, ca. 1972-1992 8 23 various, n.d. (1-4) 9 1-3 9 4 various, ca. 1981 9 5 various, 1984-1986 9 6-8 Z Eros, 1993
Miscellany 9 9 Journal, bound study notes on literature, U.C. San Diego, ca. 1978-1979 9 10 Notes on the history of Chicano literature, abbreviated on index cards, n.d. 9 11 Screen
treatment, Everything You Give Away, by Alurista and Robert F. 9 12 Speech, Chicano Graduation California Polytechnical University, 1987 9 13-14 Translation,
Hanub Ku: Synthesis of Mayan Philosophic Thought by
SERIES IV: RESEARCH FILES, 1848-1994 (Bulk dates 1970-1990)
Box Folder Content
10 1 Acosta,
Oscar Zeta correspondence from Arizona State University sent to 10 2 Acosta-Attento, Marta, The Languages of Rosa, La Flauta, 1990 10 3 Anaya, Rudolfo Extensive/Intensive
Dimensioniality In Anaya’s Bless Me, Ultima, Daniel Lattin, n.d. 10 4 Anaya, Rudolfo A., The Writer’s Landscape: Epiphany in Landscape, n.d. 10 5 Anaya, Rudolfo and Tomas Rivera and José Anontio Villarreal Narrative
Technique and Human Experience in Tomás Rivera, Daniel P. Pocho; Bildungsroman of a Chicano, Carl R. Shirley, 1979 Pocho as Literature, Bruce-Novoa, 1977 Portraits
of the Chicano Artist as a Young Man The Making of the 10 6 Andouard-Labarthe,
Elyette Aztlán, the Word Stolen and Returned – or The 10 7 An Annotated Bibliography on Chicano Literature, author unknown, 1975 10 8 Appendix
B: Fall/Redemption and Creation-Centered Spiritualities Compared Cantos Primeros Correspondence Locus
of Flower, Tempo of Song: Place and Identity in Alurista’s 10 9 Arteaga, Alfred, 1986-1989 10 10 Ascencio
Lomeli, Francisco, Cuatro Jovenes Escritores Argentinos: testigos de 10 11 Aztlán Candelaria,
Cordelia, On Being Asked to Explain “Aztlán” to My Little Somoza, Oscar U., Marxismo Subyacente En Peregrinos de Aztlán, 1978 Grandjeat,
Yves-Charles, Nationalism, History and Myth: the Masks of 10 12 Ballentino,
Carol R., San Diego, June, 1943: Aftermath of the Los Angeles 10 13 Baraka, Amiri, Not Just Survival: Revolution, 1976 10 14 Barrera,
Mario, The Historic Goals of Chicano Political and Community 10 15 Bennett, Leronne, Red and Black, Indians and Africans, 1920 10 16 Berkman, Alexander, Is Anarchism Violence? What is Anarchism? n.d. 10 17 Beverly, John 1981 10 18 Bornstein-Somoza,
Miriam, Peregrinos de Aztlán Dialéctica Estructural E 10 19 Bowden, H.W., Pre-Columbian Cultures and Values, 1981 10 20 Bruce-Novoa,
Juan, The Expanding Space of Chicano Literature; Update 1978 10 21 Bruce-Novoa,
Juan, The Space of Chicano Literature, De Colores Vol. 1 10 22 Burciaga, José Antonio, Letana En Calo, 1975 Califas: 10 23 Ybarra-Frausto,
Tomás, California Chicano Art and its Social Background, 11 1 Carillo,
Eduardo, Chicano Art and Culture in California. Excerpts from 11 2 Campa, Arthur L., Spanish Folk-Poetry in New Mexico, Introduction, 1946 11 3 Cano, Luis Math, Science and the Medicine of the Meso American Indians, , n.d. Cardemas
de Dwyer, Carlota,Chicano Literature: An Introduction and Annotated 11 4 1973 11 5 revised 1975 11 6 Carpenter,
George, Pachuco: An American- Spanish Argot and its Social Chicano Cinema MAS Course 11 7 Navarro, M. Amanda, Nuevos Dias, n.d. 11 8 Screen Treatment – “The Revolt of the Cockroach People” n.d. 11 9 Chicano History Course Outline, ca 1970’s Chicano Literature 11 10 Blauner,
Robert, Chapter 5 Chicano Writing, Racial Oppression in America, 11 11 Bruce-Novoa, Juan, Mexico en La Literatura Chicana, 1975 11 12 Chabram,Angie,
La Conciencia Culturalista Chicana: El Caso Del 11 13 Herms, Dieter, Chicano Literary Criticism: A Review Essay, 1983 11 14 Lattin,
Vernon E., Ethnicity and Identity in the Contemporary Chicano 11 15 Rodriguez,
Afonso, Don Phil-O Si La Mancha: Raptura y Continuidad 11 16 Samoza,
Oscar U, Choque e Interacción en La Verdad Sin Voz de Alejandro 11 17 Shirley,
Carl R., A Contemporary Fluorescence of Chicano Literature 11 18 Torres,
Hector A., Discourse and Plot in Rolando Hinojosa’s The Valley: 11 19 Valdéz Fallis, Guadalupe, Metaphysical Anxiety and the Existence of God in Contemporary Chicano Fiction, Chicano Riqueño, 1975 19 3 Chismé Arte, La Mujer Special Issue, ca. 1977 11 20 Cisneros, René, Los Actos: A Study in Metacommunication, n.d. 11 21 Conscientisation and Liberation- A conversation with Paul Freire, n.d. 11 22 Cooper,
Stanley L., Zoot Suit: The Narcissism of Minority Youth from 11 23 Cortez,
Carlos, Historians and the Media: Revising the Societal Curriculum on 11 24 Cultural Foundations, author unknown, n.d. 11 25 Culture
Against Man outline (includes copy of El Plan Espiritual de Aztlán and
11 26 Dávila
de Calhoun, Gloria, The Teaching of Chicano Literature at High School 11 27 Diccionario Caló, n.d. 11 28 Dibble, Charles, Historical Summary of the Xolotl Codex, n.d. 11 29 Dorfman, Ariel, Reports of My Death, The Nation, 1986 “Dos Culturas” 11 30 Correspondence from Dr. Herms to Prof. Flores 11 31 Herms,
Dieter, La Literatura Chicana Y La Teoría De Las Dos Culturas, 11 32 Flores,
Lauro, Teoría De “Dos Culturas” Y Letras Chicanas, Plural Vol. 12 1 Eger, Ernestina N., A Bibliography of Criticism of Contemporary Chicano 12 2 Enzensberger, Hans Magnus, The Industrialization of the Mind, 1974 12 3 Ephemera, n.d. 12 4 Fernandez,
Raul A., The United Stated-Mexico Border: A Politico-Economic 12 5 Finnegan,
Bill, Travels with Ernesto: God, Art, and Revolution in the New 12 6 Flores,
Arturo C., 1965-1986: El Teatro Campesino, Algunas Orientaciones 12 7 Flores, Lauro, La Dualidad del Pachuco, n.d. 12 8 Forman, James, 20 Enemy Forces, ca 1974 12 9 Forman, James, Manifesto, 1989 12 10 Frank,
Andre Gunder, The Development of Underdevelopment, From Tlaloc 12 11 La Frontera Gómez-Peña, Guillermo, La Frontera, n.d. García,
Mario T., La Frontera: The Border as Symbol and Reality in 12 12 Fuentes, Carlos Are You Listening Kissinger? 12 13 The
Gadsen Treaty, signed at Mexico City December 30, 1853 12 14 Galeano, Eduardo, In Defense of the Word, 1976 12 15 Garcia, Reyes, Politics of Flesh: Ethnicity and Political Viability, n.d. 12 16 Garcia, Reyes, Senses of Place in Ceremony, revised 1983 12 17 Garza, Luis, and Weber, Debra, Piedras Negras/ Black Rock, 1976 12 18 Gingerich, Willard P., A Bibliographic Introduction
to Twenty Manuscripts of 12 19 Goldman, Shiffra, 1976-1979 Cantu De Unidad: Nuevo Mural En Berkeley Las
Creaturas De La America Tropical: Siqueiros Y Los Murales Chicanos 12 20 Goldman, Shiffra, State of Chicano Art, 1980 12 21 Gómez-Quiñones,
Juan, Critique on the National Question, Self-Determination 12 22 Gómez-Quiñones, Juan, 5th and Grand Vista, Poems, 1960-1973, 1973 12 23 Gómez-Quiñones,
Juan, Sembradores, Ficardo Flores Magón y El Partido 12 24 Gonzales, Beatriz, Personal Narrative, 1973 12 25 Grajeda, Ralph F., Tomás Rivera’s Appropriation of the Chicano Past, n.d. 12 26 Guerrero, Rafael, poetry, n.d. 19 4 Gutierrez-Revuelta,
Pedro, Sobre las Campanas del Oxigeno el Corazón Como 12 27 Hartmann,
Heidi, The Unhappy Marriage of Marxism and Feminism: Towards a 12 28-29 Hermán Córdova, Roberto, Syntax and Bilingual Chicano Poetry, 1977 13 1 Hinojosa, Rolando, n.d. Brox,
Luis Maria, Los Limites del Costumbrismo en Estampas del Valle y 13 2 Historia de C.A.S.A., La Comision Politica, 1978 13 3 Hoffman, Abbie, and Silvers, Jonathan, An Election Held Hostage, © 1988 13 4 Horney
Karen, and Escott, Marcia, The Overevaluation of Love from Feminine 13 5 Huerta,
Jorge A, From Quetzalcoátl to Honest Sancho; A Review Article of 13 6 The
Identity Games of José Donoso’s Tres Novelitas Burguesas, author unknown, 13 7 Islas, Arturo, Writing from a Dual Perspective, 1972 13 8 Jameson,
Fredrick, Metacommentary, Publications of the Modern Language 18 2 Johnson,
Richard, Abelardo Barrientos Delgado, the Don of Chicano Poetry 13 9 Karenga,
Maulana Ron, Overturning Ourselves: The Love from Mystification to 13 10 Lattin, Vernon E., Chaos and Evil in Anaya's Trilogy, n.d. 13 11 Leal, Luis, La Imagen Literaria Chicana, 1978 13 12 Lee,
Martin A and Coogan, Kevin., Killers on the Right: Inside Europe’s Fascist 13 13 Limon, José E., Chicano as a Folk Name: An Historical View, 1974 13 14 Limon,
José E., La Llorana, the Third Legend of Greater Mexico: Cultural 13 15 Limón,
José E., El Primer Congreso Mexicanista de 1911: A Precursor to 13 16 Luis, Leal, Literatura de Frontera, n.d. 13 17 Lomas,
Clara, Resistencia Cultural o Apropriación Ideológica: Visión de los 13 18 Lomelí,
Francisco, On Teaching Chicano Literature: Changing Tides and 13 19 Lopez
Austin, Alfred, Los Textos en Idioma Nahuatl y Los Historíadores 13 20 Luna,
Norman, The Chicano Novel, Studies in Parody, Folklore and el 13 21 Mares, E. A., Observations on American Myths and the Myth of Aztlán, n.d. 13 22 Mariscal, George, Alejandro Morales in Utopia, n.d. 13 23 Materialien Zur Chicano-Literatur, bibliography, 1987 13 24 Martínez,
Eluid, Ron Arias’ The Road to Tamazunchale: A Chicano Novel of the 13 25 Matrux, Floyd American Me, film script, 1977 13 26 McKenna,
Teresa, Three Novels: An Analysis (Chicano, The Plum Plum Pickers 13 27 McWilliams, Carey, Pachucos and the Zoot Suit Riots, n.d. 13 28 Melantzón, Aguilar, Caminito, Ricardo n.d. 13 29 Mexican American Library Project Information List, 1975 Mexican American literature 13 30 Gonzales-Berry,
Erlinda, Caras Viejas y Uno Nuevo: Journey Through A 13 31 Ybarra-Frausto,
Tomás, The Chicano Movement and the Emergence of a 13 32 Uribe, Hernan, Misinformation, an Imperialist Industry, n.d. (2 copies) 13 33 Meyer,
Doris L., The Language Issue In New Mexico, 1880-1900: 13 34 Meyer,
Doris L., The Poetry of Jose Escobar: Mexican Émigré in New Mexico, 13 35 Micelson,
Joel C., The Chicano Novel Since World War II, La Luz Vol. 6 No. 4, 13 36 Moreno y Guzman, Jesus, El Archipielago Del Norte: Motivo de Conflicto Entre 14 1 Moreno y Guzman, Jesus, El Archipielago Del Norte: Motivo de Conflicto Entre 14 2 Native American Poetry and Literature, a bibliography, n.d. 19 5 New Visions of Aztlán, Vol. I Issue I, 1990, Vol. 2 Issue 2 and 3, 1993 14 3 Nezahualcoyotl/ Poesia, n.d. 14 4 Notas
sobre el concepto de alienación en los “Manuscritos Económico-Filsóficos 14 5 Notes: Jeronimo Blanco, n.d. 14 6 Nuestra America Vol. 1 No. 3, 1993 14 7 Ordóñez,
Elizabeth, Sexual Politics and the Theme of Sexuality in Chicana 14 8 Orlando-Truhillo,
Ignacio Linguistic Structures in Jose Montoya’s “El Louie”, , 14 9 Orozco, Maria / Poesía Mexicana, ca. 1975 14 10 Paz, Octavio, The Power of Ancient Mexican Art, The New York Review, 1990 14 11 Pelton, Richard, Who Really Rules America? n.d. 14 12 Pleck, Elizabeth, Two Worlds In One: Work and Family 1976 14 13 Plural Vol. XIII-I No. 145, 1983 14 14 Poems, rhymes and riddles for children n.d. 14 15 Poesia Nahuatl and Maya, n.d. 14 16 Poniatowska, Elena, Mujer y Literature en America Latina, Escritura, 1983 14 17 Pounds, Wayne, Decomposition at UT Austin and the Faculty Proletariat, n.d. 14 18 Pounds,
Wayne, The Postmodern Asshole: Parody and Utopia in William 14 19 Quality and Diversity, author unknown, n.d. 14 20 Rafas,
Nieve and Corrugated Aluminum, chapter from The Autobiography of 14 21 Regeneración, Volume II, Number 4, 1974 14 22 Rivera, Tomás 1993 14 23 Rivera, Tomás, Recuerdo, Descubimiento, y Voluntad, n.d. 14 24-25 Rodríguez
del Pino, Salvador, La Novela- Chicana Escrita en 14 26 Salazar
Parr, Carmen, Current Trends in Chicano Literary Criticism, Latin 15 1-4 Saldivar,
Ramón, The Dialectics of Difference: Contemporary Chicano Narrative 15 5 Salinas, Judy, The Image of Woman in Chicano Literature, 1976 15 6 Santos, Richard G., From the Inside Looking Around: A Portrait of the Mexican 15 7 Segade, Gustavo, Chicano Indigenismo- Alurista and Miguel Méndez M, 1975 15 8 Segade, Gustavo V., Peregrinos De Aztlán- Viaje y Laberinto, n.d. 15 9 Serra
Rivera, Jaime, Aztlán Para Aztlántecos: Toward a Chicano National 15 10 Sierra, Christine Marie, Chicano Politics – After 1984, 1985 15 11 The Sleepy Lagoon Mystery, The Sleepy Lagoon Defense Committee, n.d. 15 12 Smith,
Michael E., The Aztlán Migrations of the Nahuatl Chronicles: Myth or 15 13 Sotomayor,
Frank, La Literature, Un Arma en Manos Del Movimiento Chicano, 15 14 Southwest Literary Series, 1983 15 15 Stavenhagen, Rodolfo, Clases, Colonialismo y Aculturacion, 1965 15 16 Takaki,
Rondal T., Cultural Landscape as Teacher: A Critical Third World 15 17 Tanaka,
Ronald, Culture, Communications and the Asian Movement in 15 18 Tanaka, Ronald, The Sansei Artist and Community Culture, ca 1974 15 19 Tanaka,
Ronald, Working Paper in Ethnic Literary: Theory Towards a Definition 15 20 Teatro Campesino 15 21 Theiss, Terry, Indian Sy | ||||||
